Deep Ellum and Central Track

A new edition of the biography of Dallas’ own Deep Ellum. Just outside of downtown Dallas lies a section of the city called Deep Ellum, where graffiti and murals decorate the walls of trendy shops, loft apartments, restaurants, nightclubs, art galleries, and tattoo studios. The area has been home to a remarkable array of businesses, creatives, and artistic practices since its birth 150 years ago as a Black center of business. Because of the area’s long association with blues and jazz musicians, Deep Ellum has been shrouded in myth and misconceptions which obscure its actual history. Alan Govenar and Jay Brakefield—using oral histories, old newspapers and photographs, city directories and maps, as well as more traditional public records and secondary sources—reveal another side of Deep Ellum which includes Central Track (formerly called Central Avenue), an area lined with Black-owned businesses which served both Black and white patrons during its heyday in the 1920s and 30s. In the Deep Ellum and Central Track areas, African Americans and whites, primarily Eastern European Jews, operated businesses from the late 19th to the mid-20th centuries, creating a unique social climate where cultural interaction took place. Much of the information in the book is presented through the stories of remarkable individuals, including professionals, pawnbrokers and other merchants, police officers, criminals, and the blues and jazz musicians who had a lasting impact on American popular music.

Alan Govenar is a writer, folklorist, photographer, and filmmaker. He is president of Documentary Arts, a non-profit organization he founded in 1985 to present new perspectives on historical issues and diverse cultures. Govenar has a B.A. with distinction in American Folklore from Ohio State University, an M.A. in Folklore and Anthropology from the University of Texas at Austin, and a Ph.D. in Arts and Humanities from the University of Texas at Dallas. He is a Guggenheim Fellow and the author of thirty books, including Texas Blues: The Rise of a Contemporary Sound, Stompin’ at the Savoy: The Story of Norma Miller, Extraordinary Ordinary People, Everyday Music, Untold Glory, Stoney Knows How: Life as a Sideshow Tattoo Artist, Deep Ellum: The Other Side of Dallas, Portraits of Community, The Early Years of Rhythm and Blues: The Photography of Benny Joseph, and The Blues Come to Texas: Paul Oliver and Mack McCormick’s Unfinished Book. His book Osceola: Memories of a Sharecropper’s Daughter won First Place in the New York Book Festival (Children’s Non-Fiction), a Boston Globe-Hornbook Honor; and an Orbis Pictus Honor from the National Council of Teachers of English.

Jay Brakefield is a native of Houston and graduated from the University of Houston with a BA in English in 1968. He spent four decades as a newspaper reporter and copy editor. Early on he developed a keen interest in “roots music,” especially blues and jazz, and wrote a number of related articles for The Dallas Morning News. Brakefield and Alan Govenar have collaborated on a number of projects.